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The Interview: Art, Economics, and Global Perspectives

Speaker 1: Okay, can you give me an introduction of yourself?

Aafreen Diyanah: Hi, my name is Aafreen Diyanah. You can call me Aafreen. I'm currently a second-year Economics student at Kobe University.

Speaker 1: Nice! Can you tell me what things you are currently grateful for?

Aafreen Diyanah: Well, currently, I'm very grateful for the fact that I am at Kobe University itself. When I look back at how much I wanted to be here, I realize that the dream actually came true. So, to show gratefulness for that dream, I should also do well in my studies. Aside from that, I'm also grateful for my part-time job. That was one of my resolutions for this semester—to find a part-time job—and the fact that I managed to find one makes me really happy.

Speaker 1: I feel like small things in our lives really make us happy, right?

Aafreen Diyanah: Definitely. I think even now most of the things that bring me joy are the smaller things. Even nice weather, like right now this season when the sun is out, can bring a lot of joy.

Speaker 1: Really, I fully understand that. So, what is your current hobby?

Aafreen Diyanah: Well, recently I've been trying to lower my screen time, so I picked up a hobby that I never really outgrew. I still like it very much, I just hadn't made time for it. Then I realized I actually do have a lot of time, but I was spending it on my screens instead, which isn't really good. So, I picked back up on journaling, scrapbooking, and collecting stickers. Basically, art-related stuff. I really love art-related things.

Speaker 1: I feel like it's interesting how an Economics student has such a strong interest in art. Would you like to tell me more about that?

Aafreen Diyanah: Actually, sometimes I do think it's pretty ironic. I do wonder if I was supposed to be an art student instead! But here I am. Even though I'm taking Economics and have quite a fixation on art, I don't really think those two things must be separate. It's not like if you're a science or engineering student, your whole life must revolve only around that. I also don't like the stereotype that if you're an art student, then that's the only thing you're meant for.

I think it's nice to have a little balance between things. I love Economics as a subject. But I also think that having art as a hobby or a "side quest" in your life can bring a good balance. At least you have a way to enjoy a little bit of here and there, a little bit of this and that, and not just fixate on one thing for your whole life. That way, in the future, you'll have options.

Speaker 1: I fully understand. As a person who loves to do side quests as well, that kind of balance between Economics and arts is just perfect. I also heard about your recent trip to Paris, and I personally think it helps immerse yourself in art a little bit more, especially when looking at the Renaissance architecture and stuff. Would you like to tell us more about that?

Aafreen Diyanah: Sure! I went on a trip—it was more of a kenshu (study) trip, meaning fieldwork—to Paris and Belgium under Kobe University. At Kobe University, there's this program called GCP (Global Challenge Program). It basically offers overseas programs that send you to many places, like Canada or Australia, and most of these programs are based on various themes.

For my program, I went to the GCP program for SDGs fieldwork in Paris and Belgium. It was focused on international organizations and the SDGs. We had to do presentations on the SDGs at universities in Paris and Belgium, and we also got to visit international organizations like the OECD, the UNESCO headquarters, and an EU department in Brussels.

But back to the art aspect—we also were allowed to go on our own fieldwork around Paris and Brussels. We were able to explore on our own, so obviously, being there already, I took the chance to go to museums and check out what's gathered around Paris. One of the things that fully shocked me was how much their society itself appreciates art.

When I went to these museums, I noticed it wasn't just tourists; there were also Parisians themselves, especially the elderly. They would be walking around these museums with immersive headphones. Seeing the way that art is just a part of their life, the way they have art incorporated into their whole society and daily lives, is something they actually appreciate. It feels like a really nice environment to have, especially right now as we are entering the AI generation where everyone seems to start undermining the true value of art.

 For your information, I'm on the side that is pretty much against AI-generated art. You know how people ask AI to make a Ghibli character, for example? I am pretty much against those trends because I think AI-generated art is pretty stiff and it's a dishonor to real art made by humans.

Speaker 1: Yeah, exactly. I also kind of feel like those AI-generated arts might be helpful for some types of references, but for our whole life, there's no kanjou (emotion) inside it. Do you think so?

Aafreen Diyanah: There's definitely no emotion in it. It definitely takes away the beauty of art made by humans. In a world where that's becoming more of a norm—especially when you see a lot of companies starting to use AI-designed art instead of hiring actual human graphic designers—going to Paris, a society that still very much co-ops real art and appreciates art made by humans, somehow gave me a sense of hope. It was like, "Oh, okay!" It also made me think back to how in Malaysia, we do not really appreciate art at all. Especially art-related degrees; they are not being appreciated at all. Thinking about how big of a gap this is made me realize how nice it would be if we could also do something to appreciate more of the artists in our own country.

Speaker 1: Exactly, because I feel like Malaysians have a lot of talented people, however, a lot of people often overlook them.

Aafreen Diyanah: Yes, and often, people with talent are told to just put that talent aside and do something that can actually bring you money. That's how the view is in Malaysia.

Speaker 1: Exactly. So, after your fieldwork trip to Paris and returning to Kobe University, what is the most heartfelt achievement that you felt throughout this year?

Aafreen Diyanah: Honestly, flying to Paris on my own from KL. Just an interesting fact: even though it was a university program, for some reason, the nature of the program depends on the sensei (professor) handling it. We were pretty much given a lot of freedom, so our sensei told us to buy our own flight tickets and accommodation. It honestly felt more like a personal trip on the side of university, rather than a rigid university trip. Because we were given a lot of freedom, I flew to Paris on my own from KL. This was pretty much the first time in my life going on an overseas trip, so it was my first major trip abroad. The moment I stepped into Paris, I was pretty touched because I was seeing people from all over the world. There were people with all different skin colors and religions. It felt deeply moving because I’ve always been someone who likes things on a global scale. I love being in international spaces, so being able to actually be there in real life and see people from all over the world made me feel like, "Oh, okay, the world is truly big."

Speaker 1: I feel like as a person who loves city-hopping myself, having the opportunity to see the world from another land is really a grateful and eye-opening experience. How do you feel about it?

Aafreen Diyanah: It was definitely very eye-opening for me. One thing I would really point out is how important it is to go out and see the world. In this case, I was actually pretty shocked to see how many hijabis there were in Paris!

I went there with this pretty ignorant thought because, obviously, we in Malaysia are constantly told about how rampant Islamophobia is in Paris and France itself. So, I was a bit worried about that part. But when I went there, I realized how much I just didn't know. To describe it: in Paris, you walk anywhere and you can see a hijabi, and they're not just tourists, they are actual Parisians! They are actual Parisian’s hijabi. To put it in perspective, I went to do my prayers in malls, and when I went to shops like H&M, Uniqlo, and Zara—the main three—I noticed there were a lot of hijabi staff working there.

What I wanted to point out is that it made me realize how I was worried about going to Paris because I was afraid of being a minority or facing Islamophobia, but when I went there and saw how normalized it is for hijabi staff to be there, it made me realize that while Islamophobia can still happen, they are still being allowed to work and be a part of society. They can work in mainstream public spaces.

When you compare it to us currently living in Japan, as a hijabi minority in Japan, it's very much common to face barriers because of our hijab. I feel like it would probably be very hard for us to work in a Uniqlo or something open to the Japanese public here. It was then that I realized the true minority is us here in Japan, not them in Paris!

So yeah, I felt like I was pretty ignorant before, but it was more because I just didn't know. We hear people in Malaysia say, "Oh, Paris is very Islamophobic, are you sure you want to go there?" But when you actually go there, you see that maybe it's not really like how everyone says. I think it's way better to actually go to that place, see the world, and make your own judgment based on what you see and experience, rather than just believing whatever you hear from the media.

Speaker 1: Exactly, I feel like the experiences we see with our own eyes will always beat the things we hear from others.

Aafreen Diyanah: Definitely.

Speaker 1: And I'm actually really grateful how your trip to Paris also opened your eyes to the differences between societies in Malaysia, Japan, and another part of the world, especially in Europe, which is a whole other region for us Asians.

Aafreen Diyanah: Yes.

Speaker 1: So, may I know what your future goals are that you would like to pursue? Maybe some hobbies you want to learn more about, or another part of the world you want to explore?

Aafreen Diyanah: Well, I've always been into language learning. Right now, I'm learning intermediate Russian. After coming back from Paris, I realized, "Oh, I think I want to learn French too!" Because I think it's also really important to point out that going to Paris, obviously they know English, but they don't really speak it because the main language itself is French. The workers and staff will naturally speak French to you first. So, it was my first time being in an environment where I didn't understand the language at all. I was completely blank; I knew nothing. I think it's pretty interesting to put yourself in that kind of environment because it makes you more aware of your surroundings and how vulnerable you are at the moment, realizing how much you don't know. It's a pretty interesting perspective since I've lived my whole life in environments where I know the language and understand what's being spoken. This was my first time being somewhere where I felt lost, like a deer caught in headlights. But it was a fascinating perspective, and when I came back, I bought a French textbook and started learning. I want to learn French to the point of fluency; that's one of my goals.

And I guess coming back from this trip made me realize that I can go for anything I want, as long as I put enough trust in myself to do it. It made me dream bigger. Being a bit "delusional" is also a form of prayer! I feel like once you start living abroad and get a taste of studying or living overseas, you won't be easily satisfied. You will always want more and more, and that's how I'm feeling right now. I still want more.

Speaker 1: I fully understand that feeling. So, after all these experiences, would you like to share a final message or motivation to your audience, especially the volleerei and MSC audiences?

Aafreen Diyanah: I think it's just really important to have a lot of faith in yourself. I don't really think anything is impossible. Because even before I went on this program, I used to wonder if it was possible for a JPA scholar to join an overseas program held by the university. I hadn't really heard people talk about it much, so I wasn't sure if it was possible.

Because I wasn't sure, I decided, "Maybe I should try it myself and see." And it turns out it's entirely possible! JPA fully allows it, as long as you take care of yourself and your reputation. So, in the end, yeah, nothing is impossible. Just allow yourself to dream big enough, and you should always just seize whatever opportunity lands in front of you. You never know where life will bring you, so just be open to any opportunity that comes your way.

Speaker 1: You really speak my mind! Thank you so much, Aafreen. All right, bye!

Malaysian Student at Tottori University Reflects on the Complexities of Renewable Energy

Tottori, Japan – A screening of the documentary film Kageru Shinro (かげる針路) was held in Chizu, a town progressively developing solar panels in its pursuit of clean energy. Produced by Fukushima Television, the documentary explores the prefecture’s current reality as it undergoes a rapid shift toward renewable energy against the backdrop of the 2011 nuclear accident.

Nurain Fathanah, a fourth-year student at Tottori University, was one of a few individuals invited by her seminar professor to watch the film. After the screening, she expressed how the documentary shifted her perspective on renewable energy, despite her continued recognition of its benefits in reducing carbon emissions and maintaining sustainability.

According to Nurain, the documentary focuses on solar energy and highlights the disputes that arise during the development of solar power plants in Fukushima. Because solar panels require wide, uncovered areas to absorb sunlight efficiently, some forests have been cleared for their installation. This deforestation led local residents to voice concerns to the solar power company regarding the loss of mountain scenery and the heightened risk of landslides in the area. Despite their efforts, the company firmly defended its legal rights, stating that the entire project abided by the law. This response left locals feeling disrespected, further increasing tensions between the two parties.

Nurain believes that while developing renewable energy is crucial for the future, it must be done responsibly. She emphasizes that companies should engage in open dialogue with both residents and researchers, as each stakeholder holds a distinct perspective on the subject. This collaborative approach could help find solutions to unintended environmental impacts or even prevent them entirely. She also noted that renewable energy projects should avoid deforestation, as cutting down trees nullifies the core purpose of generating green energy to preserve nature.

As an international student from Malaysia, Nurain hopes that the Malaysian government, private companies, experts, and local citizens will join hands in future renewable energy development. Finally, she hopes that students currently studying in this field will carry a sense of responsibility into their future careers, respecting the deep complexities of both environmental and social issues.

A Taste of Malaysia at The Shiga University Festival

Shiga University, Japan - For students all around the world, university festivals are more than just annual celebrations, they are opportunities to share their culture, build friendships, and create lasting memories. For Malaysian students at Shiga University, participating in the university festival has become a cherished tradition that they never miss.

This year on the 31st of May, a group of Malaysian students introduced visitors to the vibrant culture of Malaysia through their stall, RAHYA. The stall's name was a creative combination of the names of all the team members, while also serving as a play on the word Raya, one of Malaysia's biggest festive celebrations. Reflecting the festive spirit, the stall featured a striking red theme and was decorated with Malaysian state flags and colourful batik fabric.

One of the organisers, Ariqah Sarah, shared her experience of planning and running the stall. From the early preparations to the emotional closing of what would be her final university festival.

Preparation for the festival began long before the event itself. The team spent time researching ideas and carefully planning a menu that would introduce authentic Malaysian flavours to Japanese visitors while remaining simple to prepare. Their menu featured popular Malaysian snacks and drinks, including cekodok (banana fritters), cucuk (Malaysian-style skewered snacks), teh tarik, and refreshing air sirap. According to Ariqah, they also modified the presentation of some dishes to make them more appealing and convenient for customers. For example, the banana fritters were served on skewers, similar to Japanese dango, making them easier to enjoy while walking around the festival.

Besides serving food and drinks, the team actively introduced Malaysian culture to festival-goers. They explained the stories behind each menu item and organised a bunka taiken (cultural experience), allowing Japanese visitors to try wearing the hijab and learn more about Malaysian customs.

When asked about the highlights of this year's festival, Ariqah said the food received an overwhelming response from visitors. Their creative presentation of the snacks helped attract customers, while the cultural experience gave Japanese visitors a chance to engage directly with Malaysian traditions.

Despite the successful outcome, organising the stall was not without challenges. The team consisted of only six members, meaning everyone had to take on multiple responsibilities throughout the day. They had to prepare food continuously, serve customers, explain the menu, manage cultural activities, and promote the stall, all with very little opportunity to rest.

"It was difficult because we didn't have enough manpower," Ariqah explained. "We were constantly preparing food while trying to attract more visitors." Even so, the team's creativity and determination helped them overcome these obstacles and deliver a memorable experience for festival-goers.

After the festival ended, Ariqah described her emotions as a mixture of exhaustion and satisfaction. Although physically tired after a full day of work, she felt proud of what the team had achieved. Seeing visitors enjoy Malaysian food and learn about Malaysian culture made all the effort worthwhile.

For Ariqah and her fellow Malaysian students, RAHYA was more than just a food stall. It became a celebration of friendship, teamwork, and cultural exchange, creating memories that will stay with them long after their time at Shiga University comes to an end.

Shiga Students' Halal Soup Curry Drives Glocal Business Model

An exclusive interview with 'Ariqah Sarah on the inspiration, challenges, and impact behind her internationally recognized halal initiative.

By Nusrah Hasya



Hikone, Japan — During the annual Shidaisai festival at Hikone's 4-Bancho Square, the student international exchange circle Global Network in Shiga (GNS) launched a highly successful "glocal" business model that seamlessly linked local agricultural support with global humanitarian relief.

The initiative was spearheaded by ‘Ariqah Sarah Binti Abdul Gaafar, a GNS member who proposed the project to address two distinct goals: raising Halal awareness within Japan and raising funds for the ongoing Middle East refugee crisis through the UNHCR.

To finance the project, the team initiated a crowdfunding campaign on the Japanese platform Campfire. The campaign went viral, tripling its financial target within a single week. This capital was directly injected back into the local economy as GNS purchased fresh vegetables from agricultural producers right in Hikone. The primary menu item chosen for the event was a comforting Halal Soup Curry, utilizing Indonesian Halal curry paste alongside locally sourced ingredients and Halal chicken.

 

The project faced an immediate challenge regarding local consumer awareness, as general understanding of Halal food among Japanese locals is historically low. On the day of the event, Ariqah Sarah and her team turned their food stall into an educational platform. By actively sharing the names of the local farmers and highlighting the global charity campaign behind each purchase, the team successfully reframed Halal food as a celebration of diversity and a collective contribution to international relief.

"I was the only Muslim member in the entire group," Ariqah Sarah reflected. "But everyone contributed passionately, completely regardless of our differing religious backgrounds."

The unique dual-impact business model caught national attention, earning profiles in both the Kyoto Shimbun and Chunichi Shimbun newspapers. Ultimately, the overwhelming success of the crowdfunding surplus allowed GNS to donate its entire financial overarching proceeds to the UNHCR. Through this “glocal” initiative, the students proved that local community action can directly foster cultural inclusivity and drive powerful global impact.